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I Take a Flower as I Go

August 15, 2024 Tennyson Woodbridge

I Take a Flower as I Go — Into the Purple Well
Acrylic and ink transfer on archival pigment print, mounted on panel; 2018-2023; 28 x 35”
…title spun from Emily Dickinson #663 and #271

In 2020's, A Vanishing Present, Consciousness of Light, Emily Dickinson, Many Interacting Worlds, Mixed Media, Paintings, Works on Panel, Centrifugal Deforest Tags Emily #663, Emily #271
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To Wrap a Shining Heaven

April 6, 2024 Tennyson Woodbridge

To Wrap a Shining Heaven 
Photograph (Sant'Alfio, Sicily, 19 June, 2017)
Title spun from Emily Dickinson, #243

In 2010's, A Vanishing Present, Discarnate Entities, Emily Dickinson, Ephemeral, Etheric Plane, Italy, Keepers and Saints, Look How Beautiful, Photographic Work, Centrifugal Deforest
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Good Evening, gentle Fellow men

March 31, 2024 Tennyson Woodbridge

Good Evening, gentle Fellow men
[Emily Dickinson #120]
In-camera panograph, 18 January, 2024

In 2020's, An American Canyon, California, Centrifugal Deforest, Charged Particles, Consciousness of Light, Emily Dickinson, Photographic Work Tags Emily #120
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Conjecturing a Climate

March 30, 2024 Tennyson Woodbridge

Conjecturing a Climate
Self-appointed COP28 Promo
In-camera panograph (diptych); December, 2023 

Conjecturing a Climate
Of unsuspended Suns
Adds poIgnancy to Winter
The Shivering Fancy turns
[Emily #562]

In 2020's, Centrifugal Deforest, Charged Particles, Emily Dickinson, Photographic Work, Vallejo Residential Tags COP28 Promo Series, Emily #562
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For Ease of Gianture (The Giant tolerates no Gnat) 

March 28, 2024 Tennyson Woodbridge

For Ease of Gianture (The Giant tolerates no Gnat) 
[Emily Dickinson #641]
In-camera panograph (duplicated and transposed); American Canyon, 3 Dec, 2023

In 2020's, A Vanishing Present, An American Canyon, Centrifugal Deforest, Discarnate Entities, Emily Dickinson, Empire Makers, Photographic Work Tags Emily #641, Northbay
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Painting vs. Photograph

January 22, 2024 Tennyson Woodbridge

Blue Sea! Wilt welcome me?
My River waits reply —
Acrylic on panel + in-camera panograph (Digital assembly)

In 2020's, A Vanishing Present, Digital Assembly, Emily Dickinson, Ephemeral, Kill The Buddha, Many Interacting Worlds, Paintings, Photographic Work, Temporary Paintings Tags Emily #162
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Peacock Prefers to Die

January 21, 2024 Tennyson Woodbridge

Peacock Prefers to Die
[Emily Dickinson #120]
In-camera panograph (duplicated and transposed); An American Canyon, 17 January, 2023

In 2020's, An American Canyon, California, Centrifugal Deforest, Emily Dickinson, Look How Beautiful, Photographic Work Tags Emily #120
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We talked between the tombs

December 18, 2023 Tennyson Woodbridge

We Talked Between the Tombs (until the moss had reached our lips)
Self-appointed COP28 Promo
In-camera panograph, (industrial ruins mural, American Canyon, California); December, 2023

In 2020's, An American Canyon, California, Emily Dickinson, Parallel Entities, Photographic Work Tags COP28 Promo Series, Emily #449
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It Was a Gentle Price

December 18, 2023 Tennyson Woodbridge

It Was a Gentle Price
Self-appointed COP28 Promo (Industrial ruins adorned with new commercial development in An American Canyon, California)
In-camera panograph (duplicated and transposed), 2 Dec, 2023

In 2020's, A Vanishing Present, An American Canyon, Centrifugal Deforest, Consciousness of Light, Direct Pointing, Discarnate Entities, Emily Dickinson, Look How Beautiful, Photographic Work Tags COP28 Promo Series, Emily #602
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Round our new Fireside

November 13, 2023 Tennyson Woodbridge

But Memory— for us— to hum—
In-camera panograph, November, 2023

In 2020's, A Vanishing Present, Consciousness of Light, Emily Dickinson, Ephemeral, Photographic Work Tags Emily #944
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Blue Sea! Wilt welcome me?

September 27, 2023 Tennyson Woodbridge

Blue Sea! Wilt welcome me?
In-camera panograph, 31 January, 2023
Copyright © Tennyson Woodbridge, 1963 to present. All appropriation rights reserved

In 2020's, California, Centrifugal Deforest, Charged Particles, Direct Pointing, Emily Dickinson, Photographic Work Tags Emily #162, Northbay
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My River waits reply —

September 26, 2023 Tennyson Woodbridge

My River waits reply —
In-camera panograph, 13 February, 2023
Copyright © Tennyson Woodbridge, 1963 to present. All appropriation rights reserved

In 2020's, California, Centrifugal Deforest, Direct Pointing, Emily Dickinson, Look How Beautiful, Photographic Work Tags Emily #162, Northbay
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Revolution is the Pod

September 20, 2023 Tennyson Woodbridge

Revolution is the Pod
Photograph (Magnolia Coriacea); endangered; 15 January, 2022
Title from Emily Dickinson #1082

In 2020's, A Vanishing Present, California, Emily Dickinson, Photographic Work, Subliminal Reproduction Tags Emily #1082
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Burglar' Banker - Father! I am poor once more!

September 7, 2023 Tennyson Woodbridge

Burglar' Banker - Father! I am poor once more!
Persona portrait, 17 September, 2021
Copyright © Tennyson Woodbridge, 1963 to present. All appropriation rights reserved

In 2020's, Direct Pointing, Emily Dickinson, Faust House, Pandemic Herald Times, Persona Portraits, SHUN, Wooden Teeth Tags Emily Dickinson #49
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Memory Cues Desire

September 1, 2023 Tennyson Woodbridge

Bees no longer possess
But Memory— for us— to hum—


Memory Cues Desire

Photo collage with poem spun from Emily Dickinson #944; May-June, 2023
Copyright © Tennyson Woodbridge, 1963 to present. All appropriation rights reserved

In 2020's, A Vanishing Present, Emily Dickinson, Ephemeral, Photographic Work, Poetry Tags Emily #944
2 Comments

Blue Sea! Wilt welcome me?

August 23, 2023 Tennyson Woodbridge

Blue Sea! Wilt welcome me?
Acrylic on marine tech panel (temporary painting), 2019

In 2020's, Emily Dickinson, Etheric Plane, Kill The Buddha, Paintings, Temporary Paintings Tags Emily #162
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For Beauty is Infinity

August 22, 2023 Tennyson Woodbridge

For Beauty is Infinity
The Morning after Woe—  
As Nature did not care 
Her Victim stared upon 
And Birds declaim their Tunes 

Did they know they fell
And Beauty an Affliction — then?
Or is Their beauty bold
Estranged from circumstance


Acrylic on marine tech panel (temporary painting), August, 2019
Poem is sampled from three Emily Dickinson works (#364, #1456 and #1474) and is inspired by Lahaina wild fire tragedy; August, 2023

In 2020's, A Vanishing Present, Centrifugal Deforest, Consciousness of Light, Emily Dickinson, Ephemeral, Paintings, Poetry, Temporary Paintings Tags Lahaina
2 Comments

Blossoms Will Run Away

August 21, 2023 Tennyson Woodbridge

Blossoms Will Run Away
In-camera panograph, 16 January, 2023
Copyright © Tennyson Woodbridge, 1963 to present. All appropriation rights reserved

Blossoms will run away,
Cakes reign but a Day,
But Memory like Melody
Is pink Eternally.

…Emily Dickinson

In 2020's, A Vanishing Present, Emily Dickinson, Ephemeral, Photographic Work, Poetry, Vallejo Residential Tags Northbay
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Memory Like Melody

August 21, 2023 Tennyson Woodbridge

Memory Like Melody (is pink eternally)
In-camera panograph, 16 January, 2023
Copyright © Tennyson Woodbridge, 1963 to present. All appropriation rights reserved

Blossoms will run away,
Cakes reign but a Day,
But Memory like Melody
Is pink Eternally.

…Emily Dickinson

In 2020's, A Vanishing Present, Consciousness of Light, Emily Dickinson, Ephemeral, Photographic Work, Poetry Tags Northbay
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As is the Inner Brand

August 19, 2023 Tennyson Woodbridge

The Outer-from the Inner 
Derives its Magnitude — 
'Tis Duke, or Dwarf, according 
As is the Central Mood — 

The fine - unvarying Axis 
That regulates the Wheel —  
Though Spokes — spin — more conspicuous 
And fling a dust — the while. 

The Inner-paints the Outer — 
The Brush without the Hand — 
Its Picture publishes — precise — 
As is the inner Brand — 

On fine—Arterial Canvas — 
A Cheek — perchance a Brow — 
The Star's whole Secret — in the Lake —
Eyes were not meant to know. 
[Emily #451]

As is the Inner Brand
Persona portrait + Emily Dickinson poem #451; July, 2023
Copyright © Tennyson Woodbridge, 1963 to present. All appropriation rights reserved

In 2020's, A Vanishing Present, Death Valley, Emily Dickinson, Persona Portraits, Photographic Work, Poetry, SHUN Tags Emily Dickinson #451
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