Cate Blanchett (Carol film rips)
Big Waves Charging
Big Waves Charging
Photograph, Death Valley, 9 March, 2016
Copyright © Tennyson Woodbridge, 1963 to present
A Vanishing Present
A Vanishing Present (Life is fleeting / heart is heavy)
Temporary painting, 7 May, 2015; acrylic and photo card on antique mirror; 45x45 cm
Copyright © Tennyson Woodbridge, 1963 to present. All appropriation rights reserved
Woven in Faith (Keepers of the Now)
Woven in Faith (Keepers of the Now)
In-camera panograph triptych. Copyright © Tennyson Woodbridge, 1963 to present. All appropriation rights reserved
Shoshone Mountains
Reality-based phenomenon, factual and presumed, El Disco was an ongoing collaborative involving Joe Clower, Steve Thomsen and Tennyson Woodbridge, 1987-2024.
Shoshone Mountains, CA; 1988
Sincerely. El Disco
The Integratron
Landers, California, credit and date in dispute. Provenance: Considered a hoax. Accordingly, El Disco obtained a 60's style Polaroid print from a Mr. Plowman, who claims to have obtained the photo directly from the photographer [unknown] while at the 1997 International UFO Congress in Laughlin Nevada. According to Mr. Plowman, "the photo is a gag relating back to the whole affair here and at Giant Rock down the road a while back in the 60's where some guy [George Van Tassel] who built the Integratron was wooing rich folks into the desert and charging large sums of money to bring them into contact with the UFO aliens around at the time."
People I've Known: Western Dostoevsky
Sunday's Children
Many Interacting Worlds: That Nature Sent to Me
But Not Forgotten
But Not Forgotten
Found photograph, digital assembly; 2014
Copyright © Tennyson Woodbridge, 1963 to present. All appropriation rights reserved
Crossed His Heart and Hoped to Never Die
Crossed His Heart and Hoped to Never Die
Detail (Archibald Spires) with digital text; Avril 2015
Copyright © Tennyson Woodbridge, 1963 to present
Raven de la Mort
Raven de la Mort (detail)
Copyright © Tennyson Woodbridge, 1963 to present. All appropriation rights reserved
Raven de la Mort (Over there, beyond the hill, lies our Raven, still)
1908/2011, found photos, antique frame, graphite and vellum, ~25x60 cm
Copyright © Tennyson Woodbridge, 1963 to present. All appropriation rights reserved
Mer de Bulge
Tennyson Unnamed
Tennyson Unnamed
Photograph/digital assembly...11Sep2013 - 1Mar2015
Copyright © Tennyson Woodbridge, 1963 to present
11 September, 2013
Auto portrait; copyright © Tennyson Woodbridge, 1963 to present
Saginaw IV
Walkman-Diner
Saginaw_33, photograph (Kalamazoo, Michigan, 1983), 14 x 11"
Copyright © Tennyson Woodbridge, 1963 to present
Saginaw (part I)
Libby Corzine in 1947. Author, Men and their Mountains; and The Madness of Machines.
Saginaw_3, February 2015, found photo, 2.75 x 3"
Raven de la Mort
Raven de la Mort
Photograph (mirror + found photo), 10 August, 2011
Copyright © Tennyson Woodbridge, 1963 to present. All appropriation rights reserved
M. Castleton’s Tin
His is the shock of being able to see into the future, seeing us gazing back at him and yet (frozen in tin) unable to engage.
We can look him over in a myriad of ways, even flip him over if we like, but M. Castleton cannot move, cannot even blink. We feel sorry for him. In a future near, our brains will be scanned in their entirety, all 100 billion neurons and 100 trillion connections, so that people in the further future (if we could recognize them as that), will be able to fully engage with our holographic avatar universe. In that sense, they will possess our "soul," our every thought and memory we one time held—yet without all the aches and pains, sunken dreams and sorrows. Our "soulmind," will operate perpetually in some petri dish, on a decorative computer chip in the bathroom by the foyer, or on a living room mantle like grandpa’s ashes—an endless tranquil think-tank, a digital universe—caught in our own uniquely familiar, infinite gaze.
This is what we see in the eyes of M. Castleton’s tin. Our children’s children will have children, and their children will feel sorry for us, up there above the mantle and caught suspended as we are, no longer evolving in perpetuity, as will be their custom. Soon enough in the future our avatar universe will not lie merely static, but will continue to flourish with thought and idea—in essence, will continue to “grow” mentally, forever after our corporeal existence has (or maybe hasn’t) passed.
This is what we’ll see in the eyes of M. Castleton’s tin. These are the nebulous thoughts he’ll hurdle forth through time and space. His perpetual deer-in-the-headlights vogue, as he once queried into a primitive soul-catching device, a camera contraption, an early memory gatherer. M. Castleton will be grasping, in one timeless moment, as the aperture dawned and a flash of light blasted, this unlikely if not unthinkable future was right there up in his grill—glaring him in the face.
M. Castleton’s Tin, 1906 - 2015
Found tintype, 2014 + collaborative written history (Jay Jurisich and Tennyson Woodbridge), 22 January, 2015.
M. Castleton’s Tin is a collaboration between Jay Jurisich and Tennyson Woodbridge and may be reproduced in part or in full, expressly or unexpressly for an open period of 75 years; after which point any use is strictly forbidden.
The Wake of Tara Belmont
The Wake of Tara Belmont
2015, found photographs, digital text
Copyright © Tennyson Woodbridge, 1963 to present. All appropriation rights reserved