Alison Evers stood by, forever patient, knowing herself would eventually follow…
Found photograph + narrative prose; 11 October, 2016
Copyright © Tennyson Woodbridge, 1963 to present. All appropriation rights reserved
Within the Reeds Surveys Lloyd Barrington: Survivor at Large 1968
Found postcard + jigsaw grasses; 2011; 5 x 3.7"
Copyright © Tennyson Woodbridge, 1963 to present; Collection Eli Davey
Conjecturing a Climate
Self-appointed COP28 Promo
In-camera panograph (diptych); December, 2023
Conjecturing a Climate
Of unsuspended Suns
Adds poIgnancy to Winter
The Shivering Fancy turns
[Emily #562]
For Ease of Gianture (The Giant tolerates no Gnat)
[Emily Dickinson #641]
In-camera panograph (duplicated and transposed); American Canyon, 3 Dec, 2023
Blue Sea! Wilt welcome me?
My River waits reply —
Acrylic on panel + in-camera panograph (Digital assembly)
Peacock Prefers to Die
[Emily Dickinson #120]
In-camera panograph (duplicated and transposed); An American Canyon, 17 January, 2023
We Talked Between the Tombs (until the moss had reached our lips)
Self-appointed COP28 Promo
In-camera panograph, (industrial ruins mural, American Canyon, California); December, 2023
It Was a Gentle Price
Self-appointed COP28 Promo (Industrial ruins adorned with new commercial development in An American Canyon, California)
In-camera panograph (duplicated and transposed), 2 Dec, 2023
But Memory— for us— to hum—
In-camera panograph, November, 2023
Blue Sea! Wilt welcome me?
In-camera panograph, 31 January, 2023
Copyright © Tennyson Woodbridge, 1963 to present. All appropriation rights reserved
My River waits reply —
In-camera panograph, 13 February, 2023
Copyright © Tennyson Woodbridge, 1963 to present. All appropriation rights reserved
Tennyson Woodbridge, chairman and CEO of Polar Assets This Minute is expected to step down and apologize after the SEC warned the planet’s investors to exercise caution and ignore Woodbridge’s over-the-top prediction Polar’s stock would rise to at least Fahrenheit 127 by Polar’s fiscal year-end
Polar Assets This Minute
Persona film still, 2 September, 2021
Copyright © Tennyson Woodbridge, 1963 to present. All appropriation rights reserved
Hollywood is a Verb
Night of the Hunter
Moral Suasion
Tennyson Woodbridge’s early Heads I Win…Tails You Lose securitization of mortgage debt strategy was only emboldened following the high profile insider trading arrest of Martha Stuart in 2003. Woodbridge’s assessment of the celebrity arrest suggested infinitely larger parties would now be safe from facing similar distractions and he famously quoted: Do not bother fame over fortune when it comes to the banking henhouse…now that the hawks have made a meal of Martha!
Party Risk (Tennyson and the Horse He Rode In On)
Persona portrait photographs, 2018 (series of 3; edition of 3)
Copyright © Tennyson Woodbridge, 1963 to present. All appropriation rights reserved
Revolution is the Pod
Photograph (Magnolia Coriacea); endangered; 15 January, 2022
Title from Emily Dickinson #1082
A Window opens like a Pod
Feeling for a Magic Mind
In-camera panograph photographs; Sonoma Botanical Garden, January, 2022
[spun from Emily Dickinson #1082 and #389]
Copyright © Tennyson Woodbridge, 1963 to present. All appropriation rights reserved
Burglar' Banker - Father! I am poor once more!
Persona portrait, 17 September, 2021
Copyright © Tennyson Woodbridge, 1963 to present. All appropriation rights reserved
Bees no longer possess
But Memory— for us— to hum—
Memory Cues Desire
Photo collage with poem spun from Emily Dickinson #944; May-June, 2023
Copyright © Tennyson Woodbridge, 1963 to present. All appropriation rights reserved
Blue Sea! Wilt welcome me?
Acrylic on marine tech panel (temporary painting), 2019
Kultsjön Flow
Acrylic on paper, 2018, 46x61 cm
Copyright © Tennyson Woodbridge, 1963 to present
For Beauty is Infinity
The Morning after Woe—
As Nature did not care
Her Victim stared upon
And Birds declaim their Tunes
Did they know they fell
And Beauty an Affliction — then?
Or is Their beauty bold
Estranged from circumstance
Acrylic on marine tech panel (temporary painting), August, 2019
Poem is sampled from three Emily Dickinson works (#364, #1456 and #1474) and is inspired by Lahaina wild fire tragedy; August, 2023